#Autumn sonata thea musgrave free

Thea uses it to great effect in her Oboe and Percussion Concerto, ‘Two’s Company’ which she wrote for Evelyn Glennie and myself. It is famously recalcitrant to control but wonderfully sonorous when one does. The specifics I suggested are for the fingers: the intervals D flat to E flat to E natural because of the coordination of the right hand fourth finger and left hand little finger, also the change from B flat to B natural, because of left hand little finger manipulation (although some oboe fingering systems call for left hand thumb and third finger).Īn additional technical issue is the realisation of a low B flat. She asked me for some tricky technical challenges that one might be asking students to work on that could be difficult to have in a solo piece. Thea Musgrave decided to write some pieces for pairs of instruments, partly for use in teaching and partly for the fun of hearing two of the same instruments performing together as they do in Mozart or Haydn Symphonies. 24 : Pour Piano Et Violoncelle.Premiere: 2008, Nicholas Daniel and Rosie Jenkins at The Sage, Gateshead, UK. Worcester Source - 4 pieces for cello and double bass La Suite Dels Ocells: Hommage à Pablo CasalsĬoncert Music for Cello and String Orchestra Two solo cellists, percussion, and cello choir Mersiye (Concerto For Cello And Orchestra) Solo cello, violin, viola, ney-tutek, kanun, gosha-nagara and narrator Please direct any feedback, particularly information on missing works or compositional misinformation, directly to of Birth Although this catalog does not grant specific information about purchasing scores for all of the pieces listed, it facilitates the search of scores and provides links of contact to the composers, where applicable. The information contained in the catalog is displayed using the criteria of composers’ name, country of birth, and personal website link (where available), as well as the works’ title, date of composition, duration, and instrumentation. Another thank you to Jing Li and the rest of the CelloBello staff for the hundreds of hours they’ve poured into further research. Thank you to cellist Wendy Velasco for sharing her initial work with CelloBello, and to all of her contributors that built the initial repertoire list. We hope it sparks curiosity and inspires your musical growth. Our dream would be to have such rich representation in our field that such a database would not be needed, but until that time comes we are proud to have this resource available. We hope this resource inspires you in the practice room, in your teaching, and in your artistic programming.

#Autumn sonata thea musgrave free

We hope that compiling this information and making it free and accessible to the world will help us take steps towards expanding and rethinking the classical music canon.

CelloBello’s intention with all of our repertoire databases is to highlight groups whose music is often underrepresented in our field. There is a pressing need for greater representation in the classical music canon - on the stage, in music schools, and in our practice rooms. Welcome to CelloBello’s database of Cello Works by Women Composers!